If we could just build a writer’s platform with stuff from Home Depot, it’d be easier to accomplish even if you are like me and a fearful dolt with power tools.
Easy or hard to accomplish, building a writer’s platform is essential if you want to succeed. While you can’t buy the components even online, you can begin from the get-go of your writing career to work toward a solid one.
Let’s define what a platform is, why you want one and how to get one.
A platform tells editors, publishers and/or potential ghostwriting clients three things about you. It explains who you are and why you write. It gives information about your professional background and finally it lists where you’ve been published, the books you’ve written, contests won, media attention, blog/twitter followers and other media connections. It’s your place in the sun because it’s all about you.
While mentoring a hopeful nonfiction book writer who had hired me to review a proposal before it went to an agent, I read her platform and how she would be on “Ellen” with her new book. I stumbled on that promise. I longed for it to be true. Alas when I phoned her, her comment was, “I will simply ask to be on the TV program and they’ll let me.” My response, “Ah, no.” These days, facts can be checked so fabrications won’t cut it.
Why build a platform? It tells those in the industry what you’ve done and that your writing is marketable, otherwise you wouldn’t have publishing credits. Editors are notoriously timid about hiring/using unproven writers, although they do or I wouldn’t be here or would any other writer who has been published. While most editors and agents long to discover the newest and greatest unknown talent, they also like it better when writers have published credits and name recognition.
How in the heck do we get that, the published credits and name recognition? Easy peasey? Nope. Doable? You bet.
Regardless of your genre (category of writing) you will need to build a platform so you can continue to progress in your career. Yes, I’m talking to you out there, you poets, screenwriters, novelists and essayists as well as nonfiction writers and ghostwriters.
The easiest way to do that is by writing queries and selling articles. Note, the key word in that first sentence is “easiest” and not easy. Learn to write queries which knock the socks of editors or supply the publication with interviews from experts or give information they crave. Then be the writer who follows the publications’ guidelines. Once the query is accepted, submit the article that has been promised before any deadline and stay business like. It sounds like advice Grandma might have given but we have to show tenacity and be dependable.
To write for magazines, start your search for marketable publications, not the glossy ones at the grocery store check out counter, but with local and regional ones. Study who’s written the article, the length, the expert quotes used and the credentials of the writer. Then be brave, submit a query that adheres to their submission guidelines. If you’re asked to submit an article on spec, do your utmost to provide a professional article in a professional way.
While I am not saying to do this more than a few times, if you must write for free to gather a few clips (published clippings of your writing) then do it.
Once you’ve got those clips, you’ve got a strong start on your platform. As you are doing this building continue to write in your preferred genre. Short stories? Submit to contest. Poetry? Find journals and opportunities to share your work? Novels? Keep working on them.
Here’s a good, older article on how to build a platform. writersdigest.com/writing-articles/by-writing-goal/build-a-platform-start-blogging/building-a-writers-platform
There you have it. Build it (your platform) and they will come (editors, agents, publishers and readers).
©Eva Shaw, 2002
Hi Eva- Matthew W here again from your current writerrific course. I hope it’s ok to contact you again here rather than there. I have a comment and a question which both relate to your latest post anyway.
When you said you were a fearful dolt with power tools it reminded me of a description of an Australian academic which I like to use for myself when I can and I quote “a paragon of manual ineptitude” unquote.
My question about your post really stems from my desire to stay within Writerrific publication guidelines (g/pg) and my lesson 6 exercise. It’s about double entendre with the potentially offensive phrase in the first paragraph. Can I email to you here The excerpt for your guidance . As an assurance I think it’s more puerile than anything and maybe I am just being twee – but thanks for your help in advance.
ALoha Eva,
I am currently taking your Writerrific course thru Gale Courses. You suggested that we might write you on your blog to ask specific questions…I have one for you.
Vince Flynn & other authors whose work I’ve enjoyed, have written in their foreword or said in interviews that the life of a writer is a solitary one, intimating long hours spent toiling over their craft, neglecting their family, etc. Almost every author thanks their spouse, loved ones for their patience when they are abandoned to fend for themselves…I’m a novice writer but also an extrovert who needs the engagement of other people…am I just unsuited to this work by my very nature?
I like the visual analogy of a tool belt. I also learned a new word, dolt. I honestly have never heard that before. I will be using it, so thank you. I am building my platform but have hit a snag. My hometown newspaper that I wrote for closed after 102 years. The archives are in a neighboring town in the same county. Right now, that is the only accredited writing I have published. I’m preparing a query letter, but I am worried that when they fact check me, they won’t find the paper and, of course, my byline. Any suggestions on how to remedy this?
Very helpful suggestions, Eva. Thanks for sharing!
Hi Eva,
Thanks for your insights into being a writer.
It’s not just about writing but also how you market yourself, something I am not suit for.
I find the concrete ideas you present in your articles helpful.
Thank you for sharing!
Hi Eva,
Your blog guides us to start with local/regional marketable publications. So, should I consider local high school, university publications as fair game? For example, if I send a letter to the editor, would that be considered as part of my platform? Should I tap into the small publications that might find at some of the businesses I support (provided that content in these publications align with the subject matter that I want to focus on)? Or, should I attempt to try and get a piece into any/all different publications that I find (providing that I can write a few marketable paragraphs?)
I hope my question makes sense.
Thank you!